Menes - Legend of the First King of Egypt

In Egyptian legend, the first king of Egypt was Menes. At least, Menes is the form of the kings name that was used by the 3rd century B.C. historian Manetho. Two other first dynasty kings names are associated with Menes, Narmer (as in the Narmer Palette) and Aha. The Greek historian Herodotus calls Menes Min. The Jewish historian Josephus calls him Minaios and the Greek historian Diodorus Siculus refers to him as Manas. There are various etymologies for the name, including an attempt to connect Menes with the name of the city he founded, Memphis, which he reclaimed by means of dam construction. Diodorus Siculus refers to Manas as the first law-giver. Menes is credited with introducing papyrus and writing (Pliny), founding cities, building dikes and more. Manetho says Menes dynasty had 8 kings and that a hippopotamus carried off Menes at the end of his life. How Menes died is part of his legend, with the hippopotamus version being only one possibility. Pharaoh Menes death after an anaphylactic reaction - the end of a myth says Diodorus Siculus wrote he was chased by dogs, fell into a lake, and was rescued by crocodiles, leading scholars to think possibilities include death by dogs and crocodile. The article, as is fitting an article on the topic of allergy, explains why some think Menes was killed by an allergic reaction to a wasp sting. Source: Steve Vinson Menes The Oxford Encyclopedia of Ancient Egypt. Ed. Donald B. Redford, Oxford University Press, Inc., Pharaoh Menes death after an anaphylactic reaction - the end of a myth, by J. W. Krombach, S. Kampe, C. A. Keller, and P. M. Wright, [Allergy Volume 59, Issue 11, pages 1234-1235, November 2004] Go to Other Ancient / Classical History Glossary pages beginning with the letter a | b | c | d | e | f | g | h | i | j | k | l | m | n | o | p | q | r | s | t | u | v | wxyz

Helena Rubinstein Founder and Head of a Beauty Empire

Dates:  December 25, 1870 - April 1, 1965 Occupation: business executive, cosmetics manufacturer, art collector, humanitarian Known for: founder and head of Helena Rubinstein, Incorporated, including beauty salons throughout much of the world About Helena Rubinstein Helena Rubinstein was born in Krakow, Poland. Her family fostered both her intellectual development and her sense of style and elegance. She left medical school after two years and rejected a marriage her parents arranged, and moved to Australia. Beginnings in Australia In Australia, Helena Rubinstein began to distribute a beauty crà ¨me that her mother had used, from Hungarian chemist Jacob Lykusky, and after two years working as a governess, she founded a beauty salon and began manufacturing other cosmetics created by Australian chemists. Her sister Ceska joined her, and they opened a second salon. Her sister Manka also joined the business. Move to London Helena Rubinstein moved to London, England, where she bought a building which had once been owned by Lord Salisbury, and established there a beauty salon, emphasizing cosmetics to create a natural look. At about the same time, she married Edward Titus, a journalist who helped create her advertising campaigns. She balanced her interest in developing scientifically-based cosmetics and becoming part of Londons social circle. Paris and America In 1909 and 1912, Helena had two sons who would later join her business -- and in the same time period opened up a Paris salon. In 1914 the family moved to Paris. When World War I began, the family moved to America, and Helena Rubinstein expanded her business to this new market, beginning in New York City, and expanding to other major U.S. cities and to Toronto, Canada. She also began distributing her products through specially-trained salesgirls in major department stores. In 1928, Helena Rubinstein sold her U.S. business to Lehman Brothers, and bought it back a year later for about one-fifth what shed sold it for. Her business thrived during the Great Depression, and Helena Rubinstein became known for her jewelry and art collections. Among her jewels were some originally owned by Catherine the Great. Divorce and a New Husband Helena Rubinstein divorced Edward Titus in 1938 and married Russian prince Artchil Gourielli-Tchkonia. With his connections, she expanded her social circle to more of the worlds wealthiest people. A Worldwide Cosmetics Empire Though World War II meant the closing of some salons in Europe, she opened others in South America, Asia, and in the 1960s built a factory in Israel. She was widowed in 1955, her son Horace died in 1956, and she died of natural causes in 1965 at age 94. She continued managing her cosmetics empire until her death. At her death, she owned five homes in Europe and the United States. Her million-dollar art and jewelry collections were auctioned. Also known as: Helena Rubenstein, Princess Gourielli Organizations:  Helena Rubinstein Foundation, founded 1953 (funds organizations for childrens health) Background, Family: Father: Horace Rubinstein (businessman)Mother: Augusta Silberfeldseven sisters Education: public school in Cracowmedical school, University of Cracow (left after two years) Marriage, Children: husband: Edward William Titus (married 1908-1938; newspaperman)children: Roy (1909), Horace (1912)husband: Prince Artchil Gourielli-Tchkonia (1938-1955) Writings Include: The Art of Feminine Beauty 1930This Way to Beauty 1936Food for Beauty 1938My Life for Beauty 1965 (autobiography) Bibliography Patrick OHiggins. Madame, an Intimate Biography. 1971.

Essay Museum Sterotypes - 697 Words

Historically, museums have excluded too many people. I want to eradicate the pervasive mind-set that â€Å"certain people just don’t visit museums.† Today, in an era of public discourse characterized by instantaneous updating and dynamic participation, a savvy public shares knowledge and gains understanding about the experiences of others at the click of a mouse. The Internet, digital media, video games, content sharing, and social networking enhance and create new methods of learning. Regrettably, museums – the giants of knowledge – have fallen behind in regard to inclusiveness, technological innovation, and representation of diverse experiences. Museums hold great power in shaping educational curriculum and public dialogue nationwide.†¦show more content†¦Exhibitions or educational curriculum on the gay civil rights struggles seemed nonexistent. I want my experiences and education to give to a more complete understanding and affirming repr esentation of diverse groups in the halls of America’s museums. To that end, I interned with the Associate Director for Operations at the National Portrait Gallery. Trained as a visual artist, I never imagined myself contributing dialogue on the transformation of a national museum like the National Portrait Gallery, facing a remarkable (and uncertain) era of hyper-accelerated change. This year, I worked to develop content for the museum’s five year Strategic Plan, in accordance with the 2010-2015 Smithsonian Institution Plan. I’ve led focus groups with cross-sections of staff at all levels to aid in forming a consensus on the new direction of the museum, as well as to stimulate conversation across all departments. The staff’s enthusiasm for technological innovation, inclusiveness, and far-reaching access to underserved audiences is encouraging. Furthermore, last month I contacted and met with the CEO of the Velvet Foundation, an organization committed to establishing a National Museum of American LGBT History Culture in Washington, DC. We discussed the plans for the museum; I was invited to take part in a two-day focus group to envision what such a museum will be like, from the exhibitions and programming, to the tone and guiding philosophy. I wouldShow MoreRelatedHow American History Is Constantly Challenged By African American Artist Kara Walker Essay1590 Words   |  7 Pagesmistress, often over-sexualised and portrayed as a sex toy. Walker believes Western culture has created this specific representation of what it means to be black. Her work as a solo artist has been displayed in the San Francisco Museum of Modern Art, the Metropolitan Museum of Art in New York and internationally the Tate Liverpool in Merseyside, England. The contemporary artist is celebrated for her forms of installation art, focusing on the transformation of site specific spaces. Walkers most recognisableRead More Discuss the Minority Presence in Contemporary British Art Essay3148 Words   |  13 Pagesracial images to sell his work and bring it to the attention of the media, he can not escape having to play into sterotype to maintain success. So although Ofili believes he controls the black image, he must play into a preconcieved one and never advance past the stereotype artistically. Ofili has been accepted by the white art world, but will have to continue to play with sterotypes and use elephant dung to fulfill his token status. Ofilis work then seems very artifical and lacks profundityRead MoreAfrican-American Women: Understanding The Problems of Gender and Race2082 Words   |  9 Pages Why? One reason was that their race defined who they were more than their gender. Another reason was that to support their race also meant that they were supporting their men. â€Å"Six decades ago sociologist Helen Mayer Hacker (1951) noted how sterotypes of blacks and women helped rationalize the inferior status of each: Many people thought both groups were mentally slow, emotional and primitive, and â€Å"contented† with their subordinate role. Blacks were â€Å"inferior†; women were â€Å"weak.† Blacks were

One of Your Own Kind free essay sample

An introduction to the issue of interracial coupling as seen in the musical, West Side Story and in American society. The paper shows how in the Broadway musical, West Side Story, the problems the couple faces are due to the fact that they are of different races. The paper discusses societys way of thinking at the time this play was written in the 1950s and how it has changed to become more accepting of interracial marriages. It discusses, too, those who still oppose interracial marriages. We are not yet blind to racial and cultural differences. When a high school girl dated a boy of mixed background who happened to be half Black and half Polish, when family history came up, both referred to him as African-American, and not Polish-American or as American. It could be argued that those with mixed backgrounds are the most American of all, because they represent more aspects of all those who are Americans. We will write a custom essay sample on One of Your Own Kind or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Perhaps that will be the norm one day, and relationships like that of Tony and Maria will not be so challenged that they can be made the basis of a drama where everyone can understand their dilemma.